Fall 2017
|
Place Studies:
Theory and Practice in Environmental Creative Nonfiction Jennifer Case Soldiers, Home: Genre and The American Postwar Story from Hemingway to O’Brien and Then Wolff Bob Cowser, Jr. Audience as Participant: The Role of Personal Perspective in Contemporary Nature Writing Sam Chiarelli Reconstructing Blank Spots and Smudges: How Postmodern Moves Imitate Memory in The Liars' Club Kate Dusto Is Genre Ever New? Theorizing the Lyric Essay in its Historical Context Joanna Eleftheriou "The Only Survival, The Only Meaning": The Structural Integrity of Thornton Wilder’s Bridge in John Hersey’s Hiroshima Harriet Hustis |
|